Fashion enthusiasts are making a bee-line to Abbott Lyon to get their hands on a highly-coveted designer dupe that typically costs £16,400. Abbott Lyon’s affordable copy comes in gold, rose gold and silver, and can be worn alone or stacked. Better still, it has an anti-tarnish protective coating and is water, sweat and heat-resistant, so you can wear it out and about this summer. You can save 25 per cent off today. Plus the clear cubic zirconia stones give it an extra sparkle. Offer expires July 31 and excludes diamonds. The retailer’s £69 version of Cartier’s iconic diamond-studded ‘Love’ bracelet has impressed shoppers who say ‘you can’t tell the difference’ between the Crystal Heart Bangle and real gold. Delicate and elegant, the Abbott Lyon Crystal Heart Bangle has drawn comparisons to the Cartier Love Bracelet but at a fraction of the cost. Hailed as ‘luxurious’ and ‘absolutely beautiful’, the 18k gold (click the up coming internet site) plated brass bangle is ideal for elevating your everyday jewellery stack without dropping serious money. I have had my eye on the Cartier bangle for such a long time, so when I saw this I was so excited. Made with 18k gold plated brass with an anti-tarnish protective coating, it’s water, sweat and heat-resistant so you can wear it out and about this summer. PSA: Calling all beauty lovers! The Abbott Lyon Crystal Heart Bangle which is currently sold for just £69, has drawn comparisons with Cartier’s Love Bracelet but at a fraction of the price. And the best news? While it might not be made out of 18ct gold like the Cartier Love Bracelet, nor feature 10 brilliant-cut diamonds, the Crystal Heart Bangle is made from 8k Gold Plated Brass and clear cubic zirconia stones and looks surprisingly similar. One delighted shopper raved: ‘Such a pretty bangle.

Cheeky Ed Sheeran and wife Cherry Seaborn looked more loved-up than ever as they kissed at the Met Gala in New York City on Monday evening. However, some fans quickly took to social media to poke fun of Ed’s look as they joked he had to choose between basketball and singing, as his light blue tuxedo was similar to High School Musical’s Troy Bolton. The tweet has racked up more than 5,000 likes, with other social media users agreeing that the tux reminded them of eighties and nineties prom attire. The singer couldn’t contain his smile as he cosied up to his glamorous wife after posing on the famous red carpet but he was clearly feeling quite adventurous with his smooches. Ed made his debut at the event by walking the famous Met steps with Cara, and FKA Twigs. The Bad Habits singer was also seen sharing the love with Cara Delevingne and Stella McCartney during the evening as he and the model posed for photos kissing the designer’s cheeks. Inside the A-lister extravaganza hosted by Vogue editor Anna Wintour, Ed also got up close and personal with longtime pal Chris Hemsworth who planted a kiss on his head. Others compared the jazzy blue outfit to that of the iconic frilly piece that Harry Dunne wears in Dumb and Dumber. Ed commanded attention by rocking a pale blue suit by Stella McCartney while his stunning wife looked incredible in an off the shoulder white lace gown.

MetGala is giving Harry Dunne from Dumb & Dumber but I love it’. The Costume Institute’s spring exhibition falls on the first Monday in May every year and is held at New York City’s Metropolitan Museum of Art. The honorary chairs for the evening were Loewe creative director Jonathan Anderson and TikTok CEO Shou Zi Chew. This year the event is titled Sleeping Beauties: Reawakening Fashion while the dress code is The Garden of Time. The pieces will all be displayed using elements such as AI, GCI, and more while playing up themes of land, sea and sky. Jennifer Lopez, Zendaya, Bad Bunny and Chris Hemsworth were this year’s co-chairs. Zendaya slipped on a second look for the Met Gala – a 1996 black Givenchy by John Galliano gown – with an 2007 Alexander McQueen floral hat. Gwendoline Christie, La La Anthony and Ashley Graham hosted while YouTuber Emma Chamberlain was on hand to interview stars on the red carpet. Her sister Kylie Jenner kept it simple and chic in a rose-water colored strapless gown by Oscar de la Renta, paired with a rose in her hair. It is very much an ode to nature and the emotional poetics of fashion,’ said Andrew Bolton, Wendy Yu Curator in Charge of The Costume Institute, of the upcoming exhibition. Also on the committee is Vogue’s Anna Wintour. Jennifer Lopez posed up a storm on the steps in a dazzling in a sparkling see-through bejeweled ensemble. Fellow co-chair Zendaya made a statement in a blue and green custom Maison Margiela by John Galliano gown, featuring branch and fruit accents. Ed Sheeran looks like he’s going to the prom in the 80s. He’s just missing the ruffled tux shirt’. Last year’s gala honored late designer Karl Lagerfeld. Stars in attendance on the night included Kim Kardashian, Kylie Jenner, Cardi B and Emily Ratajkowski. Stars in attendance for the evening included Kim Kardashian, who sent shockwaves as she flaunted her astonishingly small waist in a silver custom Maison Margiela gown by John Galliano. This year’s co-chairs reflect a variety of career achievements, and all have distinct style histories with the Met Gala,’ Vogue shared. The showcase features approximately 250 items drawn from The Costume Institute’s permanent collection – with many of the pieces too fragile to ever be worn again. Did someone from 1992 lose their prom date? The Costume Institute’s spring exhibition falls on the first Monday in May every year and is held at New York City’s Metropolitan Museum of Art. This year the event was titled Sleeping Beauties: Reawakening Fashion while the dress code was The Garden of Time.

The market for vintage jewellery remains buoyant and the key to buying well is quality and condition. Lille, in France, has Europe’s biggest flea market during the first weekend of September where two million stallholders take over the city – the atmosphere is incredible and there is a vast amount of vintage jewellery to be bought at bargain prices. Art Deco jewellery (1920-1930s) is geometric, streamlined and chic with an emphasis on squares and sharp-edge rectangles. Look out for corroded or worn plating, cloudy rhinestones, missing or cracked stones and chipped enamel. Avoid more expensive items until you have developed your ‘eye’ – remember it will be a process of trial and error. By the Eighties, fashion designers entered jewellery design and logo-mania took hold with brashly confident and frankly fake gold bangles, baubles and beads in the shape of Chanel’s distinctive double ‘C’s’ or a Givenchy ‘G’ worn with a Dynasty-inspired power suit. Art Nouveau jewellery (1890-1910) is linear and sinuous, with motifs such as the dragonfly and peacock derived from nature. There are obvious outlets for buying vintage jewellery such as specialist jewellery fairs, retro fashion markets, charity shops and car boot fairs. Check for any dust around the stones that could indicate age, and look at the style of the clasp – is it compatible with the date of the piece? Plastics such as Bakelite were used in large multi-coloured bangles and figurative rings. Try to anticipate future collectables, too, particularly catwalk collaborators such as Shaun Leane whose work graced many of Alexander McQueen’s runway shows. Enamelwork such as cloisonné, where the sections of enamel are defined by wire as in a stained glass window, was popular. From the Forties through to the early Sixties, floral forms held sway and knuckle-duster cocktail rings in heavy gold-tone metal were set with dazzling faux gems. Though scratches in gold and silver can be repaired, blisters, cracks or holes cannot be restored. The mid-to-late Sixties went space age and plastics were incorporated into Op Art and Psychedelic-inspired jewellery. Every era has its own language of style that can be detected if you’ve done your homework and familiarised yourself with its shape and form. Fastening should always be tested to see if it still works effectively, and avoid any pieces of jewellery with obvious soldering, because this probably means it has been repaired at some point. Look for the forgotten greats – the Seventies was an era of experimental jewellery design by artists such as the Canadians Robert Larin and Gilles Vidal and is still incredibly undervalued. The Seventies were marked by inventive body jewellery and huge stainless steel pendants for both men and women. Small stones tend to be studded all over the whole rather than the more showy single gems of the Victorian period. Vintage costume jewellery by names such as Elsa Schiaparelli, Marcel Boucher and Miriam Haskell always holds its value.