What is the best silver jewelry? Is sterling silver good quality? In sterling silver, the silver content is 92.5%, while the copper content is 7.5%. Fine silver is referred to as 999 while 925 silver is referred to as sterling silver. 925 silver is 92.5% silver and and 7.5% copper, which makes it very durable and stable without compromising the color of the silver. What is better 925 silver or sterling silver? Sterling silver is an alloy of metals, usually silver and copper. When it comes to comparing types of silver, 925 sterling silver is the best choice for jewelry. The endurance and polish of sterling silver is what makes it so ideal for jewelry, especially sterling silver bracelets and rings. Sterling silver is mostly pure silver and a small portion of copper. While it may come as a surprise, 925 silver is in fact sterling silver. Fine silver is 99.9% silver, which sounds lovely but is much more vulnerable to damage. This is because sterling silver jewelry offers durability for frequent wear coupled with the lustrous shine this metal is known for. When it comes to silver jewelry, sterling is the leading version of this classic metal. Pure silver does not make great jewelry, as it is too soft and not suitable for daily wear. Yes, sterling silver jewelry is considered good quality. The copper content makes the silver harder and also easier to work with on the jeweler’s end. Authentic sterling silver is one of the finest metals to make jewelry with.

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The market for vintage jewellery remains buoyant and the key to buying well is quality and condition. By the Eighties, fashion designers entered jewellery design and logo-mania took hold with brashly confident and frankly fake gold bangles, baubles and beads in the shape of Chanel’s distinctive double ‘C’s’ or a Givenchy ‘G’ worn with a Dynasty-inspired power suit. Look out for corroded or worn plating, cloudy rhinestones, missing or cracked stones and chipped enamel. Every era has its own language of style that can be detected if you’ve done your homework and familiarised yourself with its shape and form. Look for the forgotten greats – the Seventies was an era of experimental jewellery design by artists such as the Canadians Robert Larin and Gilles Vidal and is still incredibly undervalued. Fastening should always be tested to see if it still works effectively, and avoid any pieces of jewellery with obvious soldering, because this probably means it has been repaired at some point. Check for any dust around the stones that could indicate age, and look at the style of the clasp – is it compatible with the date of the piece? The mid-to-late Sixties went space age and plastics were incorporated into Op Art and Psychedelic-inspired jewellery. Lille, in France, has Europe’s biggest flea market during the first weekend of September where two million stallholders take over the city – the atmosphere is incredible and there is a vast amount of vintage jewellery to be bought at bargain prices. Vintage costume jewellery by names such as Elsa Schiaparelli, Marcel Boucher and Miriam Haskell always holds its value. Plastics such as Bakelite were used in large multi-coloured bangles and figurative rings. Small stones tend to be studded all over the whole rather than the more showy single gems of the Victorian period. Avoid more expensive items until you have developed your ‘eye’ – remember it will be a process of trial and error. Art Nouveau jewellery (1890-1910) is linear and sinuous, with motifs such as the dragonfly and peacock derived from nature. Enamelwork such as cloisonné, where the sections of enamel are defined by wire as in a stained glass window, was popular. Try to anticipate future collectables, too, particularly catwalk collaborators such as Shaun Leane whose work graced many of Alexander McQueen’s runway shows. Art Deco jewellery (1920-1930s) is geometric, streamlined and chic with an emphasis on squares and sharp-edge rectangles. The Seventies were marked by inventive body jewellery and huge stainless steel pendants for both men and women. From the Forties through to the early Sixties, floral forms held sway and knuckle-duster cocktail rings in heavy gold-tone metal were set with dazzling faux gems. Though scratches in gold and silver can be repaired, blisters, cracks or holes cannot be restored. There are obvious outlets for buying vintage jewellery such as specialist jewellery fairs, retro fashion markets, charity shops and car boot fairs.

Feel the weight of the jewellery and familiarise yourself with the trademark signatures and stamps of the designers. An enormous amount of fake Bakelite (or Fakelite – a type of plastic) is on the market at the moment, much of it produced in India. Create a trademark like Grace Kelly, whose elegant string of peals became inextricably linked with her cool patrician beauty. Coco Chanel had it right when she said ‘jewellery is not made to give women an aura of wealth, but to make them look beautiful’ – you should wear the jewellery, not the jewellery wear you. Go for quality. Real pearls are heavier than fake, tend to be knotted between each pearl and have sterling silver catches with safety chains. And always question anything, particularly online, which looks like a real bargain – it most probably isn’t. Pearls are delicate and prone to damage from pollution; they can also be stained by contact with your cosmetics, so make sure they are the last thing to put on before you go out. If an item looks to have no obvious signs of wear, avoid it. Wipe with a soft, lint-free cloth and don’t take them on holiday – pearls should never be exposed to chlorinated water or sunscreen, and can be damaged if exposed to too much heat. To test for the real thing, give the Bakelite a brisk rub of your thumb and then quickly smell it – it should have a camphor-like odour. Pearls should be held under a bright light and checked for variations in colour and iridescence – if the pearls are identical in shape and colour, they are fake. Take the pearl and rub it gently over the surface of your teeth – a natural pearl should feel slightly gritty. Breathe over a diamond – the fog from your breath should disappear instantly. Wash by hand in soapy water, dry with a towel and then apply a polish such as Turtle Wax to buff and remove minor scuffmarks. It does not respond well to changes in temperature and can occasionally crack when stored in plastic. If it stays for more than two to three seconds, it’s a fake. Bakelite is sensitive to sunlight, which causes it to discolour or fade, so keep it out of direct light and store by wrapping in a soft cloth. Gloria Swanson, grande dame of Thirties film, always sported a selection of thick gold slave cuffs on her arm, while Audrey Hepburn was often seen wearing a bracelet of dangling charms. Individual cloth pouches can be purchased from most jewellery stores and will prevent stones from accidentally scuffing one another in your jewellery box. A diamond is an expensive stone, so the setting will never be poor quality. Real diamonds do not sparkle like rainbows; their light is grey and white. When buying a diamond, bear in mind the four ‘Cs’ – colour, cut, carat and clarity. Jewellery that contains precious gemstones should be stored individually, because even the hardest stones can chip.

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